Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Very Mercenary Review

Very Mercenary
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Plot Summary: Covergirl heiress Leigh Tiller is kidnapped and held for ransom. Her father, Kip Tiller sends his favorite hitman to take out the kidnappers AND his daughter. Meanwhile, a small art guerilla group discovers where Leigh is being held and decides to spring her themselves. Once Leigh is in league with the Strategic Art Defense, they commence on a five day three city exhibition of eye-opening illegal art displays designed by their brilliant leader, Laser. In hot pursuit is a colorful parade of goombas who are busy trying to kill Leigh and each other.
I was so ready for this to crash and burn that I'm kind of in awe that it didn't, and furthermore, it even has a happy ending! What a surprise. For me, this book calls to mind the kind of insane comedy found in movies like Raising Arizona or A Fish Called Wanda. Everyone has a few loose screws, so insanity becomes the standard here and it's just a question of how nuts are they?
The murder and mayhem run freely, like booze at an open bar wedding, and there's no real mystery to solve. This book is more like a fugitive thriller, with the Strategic Art Defense guys barely a step ahead of their numerous foes on a cross-country chase from New York to Las Vegas.
The different sets of goons that Kip Tiller has on speed dial are so outrageous they should package and sell them as action figures. There's the mutilated doctor known as The Serologist, the biker chick from hell with a Dolly Parton rack, the prepubescent gang-bangers known as the Sultans, and the bazooka toting Bison brothers.
The group that runs with Leigh and Laser are a bit hard to pin down individually, although some of the best scenes involve this posse of misfits. I loved it when Cody lists his favorite places to meet women who will get him laid. That's some funny stuff when he's discoursing on how a trendy Target shopper is different from a brawny Costco employee in bed (or on a pallet of Grisham novels).
This was a strange story that entertained me quite well and had everything I'm looking for - comedy, violence, misdirection, romance, and adventure - but the style is distinctly unique. This little fish is swimming far outside the mainstream, but it doesn't care in the slightest.

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Leigh Tiller has just been kidnapped. The beautiful, ineffably cool New York socialite is being held by a group of mentally ill terrorists who've demanded millions in ransom from Leigh's wealthy father. There's just one problem: Kip Tiller doesn't want Leigh back. He wants her dead. And he's hired The Serologist - a psychotic, patchwork-scarred hit man - to make sure it happens. Leigh's unlikely saviour is Laser Mechanic, the coolly brilliant leader of the guerrilla art collective, Strategic Art Defence. Now, Laser, his team of highly trained artists, and Leigh are on their way to Las Vegas, running from The Serologist and the cops...and into a head-on collision with several contract killers - the Gashes, vicious girl bikers, the Black Sultans, adolescent gang-bangers, and the Bisons, a pair of sadistic, meth-addled brothers - looking to make a fast fortune. The outcome will be bloody, brutal, bizarre - and utterly unexpected.

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On The Laws Of Japanese Painting Review

On The Laws Of Japanese Painting
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Originally published in 1911.This book is a classic.Any one who is Sumi-e painter should have Henry Bowie's book in their library.I have read and reread this book for over 30years and I alway come away with more knowledge.I am so happy to see that this gem is back in print.

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The Art of Pregnancy Photography Review

The Art of Pregnancy Photography
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Hard to believe Amherst Media hasn't published a pregnancy photography book before now, but Jennifer George made it worth the wait for it. I saw Jennifer speak in San Diego in 2004 and was inspired by her instantly. She's a professional on the exterior, but her heart seeps from her images and into her art. In addition to the simple beauty in the cover photo, the images inside the book represent far more of the digital artistry that I remember from her program in SD, and she shares the how-to's for their creation both during the session and in the post production. Any photographer who attends seminars and workshops should so appreciate the value and content of the knowledge in this book for the amazon price (and she's taken all the notes for you!) Outstanding...

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Capturing the beauty of pregnancy through photographs is an increasingly popular trend, and this timely guide covers the basics of maternity photography from both artistic and business standpoints. The details of creating a successful maternity portrait are addressed, including how to select a meaningful location, what props and fabrics to use, how to pose the subject, and how to produce a flattering lighting scheme. Helpful digital effects that can enhance skin tone and impart a wide variety of polished and artistic effects are discussed, as are tactics for incorporating other family members in the portrait. Also included are tips for building a strong connection with the subject that can lead to a profitable, lifelong client relationship.

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Kimono as Art Review

Kimono as Art
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Years ago I was visiting the East coast and saw a book about Itchiku Kubota's landscape kimonos at a friend's house. It affected me so much that I tried to get my hands on a copy, but the exhibit was over, and the book was gone, too. My friend made colored copies of some of the kimonos in her book and framed them for me as a birthday present. Some years later, when tracking down out-of-print books became easier, I again tried to get my hands on the book, but could only find an earlier one that didn't include the landscapes.
So when I idly googled Kubota again this fall and found out that a new exhibit had prompted a new book, a summary of his life's work, I was thrilled. Kimono as Art: The Landscapes of Itchiku Kubota is mine, all mine, and the work is just as beautiful as I remembered!
Kubota's magnum opus consisted of two phases: first, he spent 20 years refining a technique inspired by sixteenth-century dyed silk. Then he set about creating a series of landscapes representing subtle variations of the seasons and even times of day--he called it Symphony of Light.
This book shows each kimono both as a whole and in close-up. It also tells Itchuku Kubota's story, one which has the air of a fairy tale about it: the hero's quest. It's not always easy to grasp the powerful sense of being driven that can be an artist's companion in life, or the effort involved in creating, not just one work, but a lifetime's worth of work, especially when much of that work is truly a single work consisting of many linked pieces. There's a silken beauty to the life, the individual work, and the conjoined life's work, each a thing of light and shadow that can speak to those who are willing to see.
I am so very pleased to own this book!

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The first major book on Japanese textile artist Itchiku Kubota, published to accompany a touring exhibition.
This lavishly illustrated book showcases fifty-five masterworks by Japanese kimono artist Itchiku Kubota (1917-2003). Initially determined to unlock the secrets of dyed and painted Japanese textiles of the fourteenth to early seventeenth centuries, Kubota ultimately invented a unique method of decoration. His work combines stitch-resist and ink drawing with a complex layering of color to achieve hauntingly beautiful landscapes with richly textured surfaces and an impressionistic rendering of nature never before seen in the textile arts.Although Kubota produced kimono for Japanese celebrities, his primary endeavor was the creation of a series of monumental kimonos intended only for display. Mount Fuji, Universe, and the thirty-four-piece Symphony of Light are his most important series. The latter two are intended to be shown sequentially, much like the panels of a Japanese screen or decorated sliding doors. This entirely new approach to the use of the kimono as a vehicle for pictorial imagery has enabled Kubota's work to reach beyond the traditional boundaries of the single garment and elevated his work to installation art.This book accompanies a touring exhibition and features essays by Dale Carolyn Gluckman, Asian textile specialist and former costumes and textile curator at the Los Angeles County Museum of Art, and Hollis Goodall, curator of Japanese art at LACMA, as well as an interview with Mr. Kubota's son and artistic heir, Itchiku Kubota II, by Derrick Cartwright, Director of the San Diego Museum of Art. 200 color illustrations

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Itchiku Kubota: Kimono in the ''Tsujigahana'' Tradition: Exhibition Catalog Review

Itchiku Kubota: Kimono in the ''Tsujigahana'' Tradition: Exhibition Catalog
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I own four books about the art of Itchiku Kubota (deceased 2003), the Japanese master of the art of tsujigahana, one of the major thread-resist traditions of Japan. Kubota used stitch resist to create exhibition kimono of astonishing detail and luminosity. His primary subject matter was nature, in particular, the changing seasons. In the latter part of his career he devoted himself to creating landscapes on kimonos, which now reside in the museum he built for his work near Mt. Fuji. His work is breathtaking and astounding. The atelier he established is continuing to produce kimono, though they are not at the same level as the ones he made.
This is the least informative and attractive of the four books I own. The photographs are very dark and the information about Kubota's work and techniques is very sparse. If you are interested in contemporary tsujigahana, I recommend Kimono as Art: The Landscapes of Itchiku Kubota, a very large format hardcover costing only $1.50 more than the Frankel book, or Opulence: The Kimonos and Robes of Itchiku Kubota, which is out of print but available. These two are well worth the money if you are interested in fabrics produced with this technique.

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Catalog of an exhibition held in 1980. Frankel had the rare treat of attending Kubota's first one-man exhibition held in Mikimoto Hall in the Ginza, Tokyo. Frankel marveled at the beauty of his creations & decided it would be a privilege to introduce him & his work to the American public. Kubota answered Frankel's questions concerning the evolvement of his work & its significance within the historical context of ''Tsujigahana'' dyeing of fabrics for kimonos. Contents of this catalog: The Art of ''Itchiku Tsujigahana'' Dyeing, by Tetsuro Kitamura; ''Tsujigahana'' & Itchiku Kubota, by Tomoyuki Yamanobe; ''Itchiku Tsujigahana,'' by Itchiku Kubota; Catalogue; & Glossary. Black & white photos of Kubota and full-color photos of his kimonos.

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