Fundamentals of Karate-Do (English and Japanese Edition) Review

Fundamentals of Karate-Do (English and Japanese Edition)
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This is a seminal work. It is clear that the author put his heart and soul not just into explaining the physics of the sport but also the philosophy behind it. The illustrations are marvelous. I bought this book for the teenage son of a friend of mine who has been practicing karate since he was a child and my friend tells me the book made a huge difference in her son's performance. The copy, she says, is completely dog-eared (minor complaint -- the paper weight is a little light, maybe thicker paper would have made the book too bulky?). That aside, this book is a must-have for anyone serious about true Karate, beginners and black belts alike. I'd like to add that I suspect the spelling-challenged reviewer below (Ramos) has never even seen the book. His diatribe seems like a partisan attack. For my part, I don't care about inter-club rivalries. Such attacks fly in the face of the precepts of the dojo-kun. I'm glad I ignored that negative review and I think you will be, too.

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China Review

China
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Imagine if Ansel Adams had been interested in the interaction of nature and people in landscapes rather than the wilderness. Then, imagine that he had traveled widely in China from 1984 to 1999 to capture the country's image, history, and culture. Add a banquet camera and platinum printing using the tritone process. This will begin to give you an idea of what this book contains. I was entranced by these images of what I have not yet seen . . . but now better understand.
Ms. Conner brings several perspectives to her photographs that I found rewarding. First, the horizontal rectangles of the banquet camera remind me of a finely detailed scroll. Immediately, the images bring new understanding to much traditional Chinese art as well as to the impact that landscape has had on Chinese culture. Second, the interaction of people and nature create interesting thoughts for the viewer. Why is human orderliness so much less attractive than the less regular pulses of nature? Third, the people feel like they are in the room with you, providing the basis for potentially having a conversation. What do they think of photography? What do they think of those who will see the photographs? What message would they like to send? What messages have they sent? Fourth, history comes to life with the places. You see the desert boundaries of a dynasty. You see the political stage upon which a government exults in itself. The echoes of foreign domination linger on in other images. So, although these images do not have texts accompanying each one, they carry eloquent messages to both the casual and the careful observer. A helpful foreword by Jonathan Spence, thoughtful essay by Geremie R. Barme, and self-reflective notes by Ms. Conner add to the viewer's understanding of the intriguing, and often breathtaking, scenes.
As in the best photography books, this one uses facing pages well to create contrasts, dialogue, and new thoughts. The quality of the paper and the printing of the images are superb.
Usually, I am moved to pick out a few images for special mention as being the most outstanding. I did not have that reaction to this volume. I felt that almost every image was outstanding. Collectively, they tell a vastly more interesting story than they do individually. In total, there is an impression of China as it has been, is now, and is becoming that are vastly more indelible than the last ten books you could have read about China.
After you finish enjoying this wonderful volume several times, think about where else photographs could add depth of understanding that other ways of characterizing something could not. How can you use photographs to help others understand important lessons in those situations?
Press in all directions to expose new dimensions of reality!


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Kimono as Art Review

Kimono as Art
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Years ago I was visiting the East coast and saw a book about Itchiku Kubota's landscape kimonos at a friend's house. It affected me so much that I tried to get my hands on a copy, but the exhibit was over, and the book was gone, too. My friend made colored copies of some of the kimonos in her book and framed them for me as a birthday present. Some years later, when tracking down out-of-print books became easier, I again tried to get my hands on the book, but could only find an earlier one that didn't include the landscapes.
So when I idly googled Kubota again this fall and found out that a new exhibit had prompted a new book, a summary of his life's work, I was thrilled. Kimono as Art: The Landscapes of Itchiku Kubota is mine, all mine, and the work is just as beautiful as I remembered!
Kubota's magnum opus consisted of two phases: first, he spent 20 years refining a technique inspired by sixteenth-century dyed silk. Then he set about creating a series of landscapes representing subtle variations of the seasons and even times of day--he called it Symphony of Light.
This book shows each kimono both as a whole and in close-up. It also tells Itchuku Kubota's story, one which has the air of a fairy tale about it: the hero's quest. It's not always easy to grasp the powerful sense of being driven that can be an artist's companion in life, or the effort involved in creating, not just one work, but a lifetime's worth of work, especially when much of that work is truly a single work consisting of many linked pieces. There's a silken beauty to the life, the individual work, and the conjoined life's work, each a thing of light and shadow that can speak to those who are willing to see.
I am so very pleased to own this book!

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The first major book on Japanese textile artist Itchiku Kubota, published to accompany a touring exhibition.
This lavishly illustrated book showcases fifty-five masterworks by Japanese kimono artist Itchiku Kubota (1917-2003). Initially determined to unlock the secrets of dyed and painted Japanese textiles of the fourteenth to early seventeenth centuries, Kubota ultimately invented a unique method of decoration. His work combines stitch-resist and ink drawing with a complex layering of color to achieve hauntingly beautiful landscapes with richly textured surfaces and an impressionistic rendering of nature never before seen in the textile arts.Although Kubota produced kimono for Japanese celebrities, his primary endeavor was the creation of a series of monumental kimonos intended only for display. Mount Fuji, Universe, and the thirty-four-piece Symphony of Light are his most important series. The latter two are intended to be shown sequentially, much like the panels of a Japanese screen or decorated sliding doors. This entirely new approach to the use of the kimono as a vehicle for pictorial imagery has enabled Kubota's work to reach beyond the traditional boundaries of the single garment and elevated his work to installation art.This book accompanies a touring exhibition and features essays by Dale Carolyn Gluckman, Asian textile specialist and former costumes and textile curator at the Los Angeles County Museum of Art, and Hollis Goodall, curator of Japanese art at LACMA, as well as an interview with Mr. Kubota's son and artistic heir, Itchiku Kubota II, by Derrick Cartwright, Director of the San Diego Museum of Art. 200 color illustrations

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Realistic Defensive Tactics Review

Realistic Defensive Tactics
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If you're looking for a diagram-heavy book that shows multiple illustrations for defending against just about every realistic attack, this book should be in your bookcase.
If you're a law enforcement officer, you REALLY should get a hold of this book. The co-author Takayuki Kubota contributes his experience and wealth of knowledge. If his last name Kubota rings a bell with you, it's because he invented the Kubotan. That should be enough for you to want to pick up this book.
Marc Richardson
www.SaveTheGuns.com


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Kubotan Keychain: Instrument of Attitude Adjustment Review

Kubotan Keychain: Instrument of Attitude Adjustment
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If you own one of ASP's Palm, Key or Street Defenders, this book is an absolutely must-have. I have taught many women's self-defense classes based specifically on this book. There are other books out there, but this one is by Takayuki Kubota, the creator of the KUBOTAn. Hard to find and out of print, but worth the $25 you may have to pay for a copy. Cold Steel also has a similar defense product called the Koga and the Mini-Koga. There are many "Kubotan" like products out there. This book has great step-by-step techniques, none of which are complicated or difficult to understand. Review this book every half year, and you will instinctively respond when you must.


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Sumo Review

Sumo
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This book is impressive and very high quality. Although it is cataloged as a "paperback", it is the most impressive paperback I have ever seen. It is a large "coffee table" book. Everything about the book is quality, its feel, the cover, the thick coated paper, the ink, the photos, and the text.
There are brief descriptions at the beginning and end of SUMO that are well written and a good summary for the beginner about what Sumo is about. After reading these summaries, those interested in Sumo will want yet more information and details. The accompanying color pictures are excellent and whetted my appetite for the main photos on display in the body of the book.
The main body of SUMO contains many large, high quality close-up photos, some in color, most in black and white. These are artistic images of a hand grabbing salt, a wrinkled foot, a muscled shoulder blade, sweat dripping down a belly and faces grimacing. Picture after picture shows close up parts of Sumo wrestlers energetically pursuing their craft. I have no doubt that Makoto Kubota had unprecedented access to the wrestlers and their practice sessions. The book has lots of photos to prove it. Personally, I just don't care for the style and presentation of most of the pictures. Some may, but I don't and when I had completed my journey through the pages, I was disappointed.
In a couple of places, I was angry. For example near the beginning of the book, there is a 2 page spread color panoramic picture of a Sumo stadium, filled with spectators. The picture was taken from high up in the stadium darkness and looks down on the well lit Dohyo where the battles take place. It is a great picture and crystal clear. I'm sure Makoto worked hard to get the shot and he is very proud of it. The eyes of all the spectators are on the Dohyo. The center of attraction for the entire picture is the Dohyo and your eyes will be drawn to it too. The great tragedy is that in this book, the center of attraction falls between the pages, in the fold. How simple it would have been to offset this picture 4 inches to the right when printing the book. Someone wasn't thinking.
All and all, this is an impressive and interesting book and now part of my Sumo collection. This book is like an electric knife. It is not something I would buy for myself, but if I received it as a gift, I would keep it and show it off.

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Bargain Books are non-returnable.
Sumo wrestling is part religious ritual, part popular entertainment, and Japan's most unique contribution to the world of sport. Though sumo has long fascinated the West, its complex system of rituals and etiquette has made it difficult for outsiders to penetrate. Wrestlers undergo years of strenuous training-and some pretty serious eating-in order to compete in bouts that last minutes or sometimes seconds; the sweaty clash of huge bodies is but the final act in a prolonged contest of intimidation and concentration. In well over 100 rare and luminous photographs, Sumo offers an unrivaled close-up view of wrestlers in practice and in competition, complete with a brief history of the sport and an explanation of the various stages of a typical match. Photographers are seldom allowed such intimate access to the wrestlers, making this book a truly unprecedented document of the world of sumo. Japanophiles, sumo fans, and photography buffs alike will relish this rare glimpse of the inner circle where ritual, power, and bodies collide.--This text refers to an out of print or unavailable edition of this title.

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Pyrotechnic Chemistry (Pyrotechnic Reference) Review

Pyrotechnic Chemistry (Pyrotechnic Reference)
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Review of: Pyrotechnic Chemistry by
John R. Steinberg, M. D. [Originally appeared in "Journal of Pyrotechnics", No. 21, Summer, 2005.
This is a collaborative work by many authors, resulting in many distinct writing styles between the various chapters; nevertheless the book provides a superb overview of the chemistry of pyrotechnics and various tangentially related topics. Given the stellar curricula vitae of the contributors, it is no surprise that this work is both technically excellent and extremely interesting to anyone with any degree of curiosity regarding pyrotechnic chemistry. While the preface discloses that this text is written at "an introductory to intermediate level" the more extensive one's background in the field, the greater the appreciation for the material will be. It is, indeed, as promised, accessible to both novices and appreciated by fairly advanced students of this subject. The book consists of nineteen chapters and is extensively, if not exhaustively referenced, providing a guide to further source material for those readers desirous of more advanced treatments of the various topics discussed in each chapter.
The first chapter, an Introduction, by David Dillehay, provides a brief history of both pyrotechnics and other energetic materials. It offers both background information and definitions.
The eminent Takeo Shimizu wrote the second chapter, which discusses the Chemical Components of fireworks. More than simply a list, Shimizu provides a practically focused "chemical handbook" of the compounds' chemical and physical properties, the history of their use and the applications for each, as well as a brief introduction to the types of chemical reactions in which these materials are used.
Barry Sturman, in Chapter Three, provides an Introduction to Chemical Thermodynamics. This chapter is, of necessity, more technical, though the author successfully avoids making the material so abstruse as to be useful to only the expert.

Ken and Bonnie Kosanke contribute the Fourth Chapter on Pyrotechnic Ignition and Propagation and Chapter Five on Control of Pyrotechnic Burn Rate. The fourth chapter is a very interesting treatment of a topic more often assumed to be understood than actually understood. The fifth chapter provides a very practical approach to pyrotechnic problem solving and explains why compositions behave in the manner that they do.
Ian von Maltitz contributes Chapter Six on Black Powder. No discussion of pyrotechnic chemistry could be considered complete without addressing, in detail, this most seminal pyrotechnic composition.

Chapter Seven, by the Kosankes, discusses Pyrotechnic Primes and Priming. Many an excellent star has been "blown blind" for failure to provide an adequate prime.
Mike Wilson and Ron Hancox contributed Chapter Eight on Pyrotechnic Delays and Thermal Sources. This technical material may be of less direct use to most pyrotechnists, but, the discussion of this topic is both well written and serves to expand the reader's knowledge of this subject.
The Chemistry of Colored Flames, Chapter Nine, is written by the Kosankes. This critically useful material begins with a brief discussion of the physics of visible light and proceeds to apply this basic material to a very detailed and cogent discussion of the basics of producing pyrotechnic colored flames. a most useful chapter and greatly enhances the value of this textbook.
Chapter Ten on Illuminants, by Dillehay, naturally follows. Again, this material is of less direct application for many pyrotechnists, but nevertheless provides a useful treatment of the subject of pyrotechnic flashes, flares, and illuminants, often used to good effect in displays.
Propellant Chemistry by Naminosuke Kubota is the subject of Chapter Eleven. Composite propellants and Black Powder propellants are discussed. Combustion kinetics and chemistry are then reviewed.
Kubota's Chapter Twelve, Principles of Solid Rocket Motor Design, is, in and of itself, practically a monograph on this subject. This chapter can be read at either of two levels: the reader conversant with physics will be provided sufficiently detailed technical information to apply the material provided to designs of independently conceived rocket motor systems, while the amateur will still be able to read the chapter to gain an understanding of exactly how rocket motors are designed and how they function.

Chapter Thirteen, by the Kosankes and by Clive Jennings-White, on Pyrotechnic Spark Generation provides an articulate discussion of a topic as important as colored flames.
Strobe Chemistry is the subject of Chapter Fifteen, also by Jennings-White. Again, this is an easy effect to compound and to produce and a rather difficult topic to understand in detail.
Whistle Devices provide the topic for discussion in Chapter Sixteen, by Mike Podlesak and Mike Wilson. Whistle combustion chemistry is reviewed in a manner at once extremely technical and fascinating to almost any reader.
From a safety perspective, there is, perhaps no more vital topic than that discussed by Dave Chapman in Chapter Seventeen: the Sensitiveness of Pyrotechnic Compositions. Tests for sensitivity and a discussion of the different nature of friction, impact, and temperature sensitivity are discussed.
Clive Jennings-White and Ken Kosanke review Hazardous Chemical Combinations in Chapter Eighteen. The authors provide a detailed discussion of dangerous chemical combinations, discussions of the hazards produced, and a basic chemical rationale for why these particular compositions are so hazardous.
Tom Smith's concluding Chapter Nineteen, on Assessing the Risks, provides a safety-oriented and practical approach to those contemplating working with pyrotechnic compositions and devices.
Overall, this is a most satisfactory endeavor. The Pyrotechnic Chemistry textbook offered by these authors through the Journal of Pyrotechnics is at once useful and fascinating. Its various topics differ in degree of complexity and will appeal to a wide range of readers. While no single textbook can completely cover this broad range of associated and collected topics, this reviewer feels that the Pyrotechnic Chemistry book is an excellent basic and reference text (thanks to its exhaustive bibliography) and is worthy of inclusion in any reader's pyrotechnic library. I enthusiastically recommend this book and offer my congratulations to its contributing authors and editors on a job well done.


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Summoner Girl Volume 1 Review

Summoner Girl Volume 1
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"Summoner Girl" by Hiroshi Kubota follows the adventures of a 4th grade girl named Hibiki who has just been made head of her clan--a famous, old line of summoners, who basically summon mythical creatures to possess them so that they can use their magical powers to defeat bad spirits who cause trouble in the human world. Her formidably grandmother (the former head of the clan) has charged her with finding the six rikutou gems--magical treasures that, when gathered, will cause some kind of disaster to befall the world that Hibiki will have to defeat in order to be recognized as the Head of the Exorcist Underground (the underworld of summoners, exorcists, etc), which her clan belongs to. To aid her, Hibiki has five guardian spirits (shikigami) whose powers she summons to help her fight off the baddies (and whose wildly disparate and opinionated personalities provide lots of great humor and snarky commentary throughout).
Nothing too ground-breaking about that premise, perhaps, but the execution (writing, art, overall storytelling and plots) of this magical girl manga is very competent and the humor very solid as well as 100% clean enough for kids. It would be an excellent title for younger audiences who will find the sweet but self-assured and competent Hibiki a sympathetic protagonist, and her lively adventures with her magical friends entertaining.
Also, the simple but interesting "magic system" involving the five elements and how they either counter, bolster or are bolstered by other elements adds a level of strategy to Hibiki's battles that kids (especially those who liked Magic the Gathering) will probably find engaging as well.
Overall, an excellent title for younger manga fans and a fun if casual read for older fans.

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Close Encounters: The Arresting Art of Taiho Jutsu Review

Close Encounters: The Arresting Art of Taiho Jutsu
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Taiho Jutsu are techniques which include arm locks, wrist locks, restraint holds, throws, pressure points, and the use of various weapons. These techniques were often taught to police officers in Japan to control resisting subjects. The author, Tak Kubota, is known internationally as a karate and weapons expert. He has taught police agencies in Japan and in the United States. I also had the pleasure (and lots of pain) of training under Master Kubota in his Kubotan instructor courses back in 1980. The book covers a lot of material that could be of use to police officers; however, like any psychomotor skill programs, many hours of practice are needed to master the material. Nevertheless, this book if used in conjuction with actual hands-on training with a qualified defensive tactics instructor, will help students to learn the material.
In conclusion, this is a book that will be of value to both students and instructors of police defensive tactics.
Rating: 4 Stars. Joseph J. Truncale (Author of The Monadnock Defensive Tactics System, MDTS).

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Fighting Karate Review

Fighting Karate
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I did not think the book was bad. The photos are clear but it is not a book for beginners. It is designed for advanced students that don't need detailed explanations and hand holding. I was able to follow the photos and the techniques in the book with no problems.

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From Sea to Shining Sea: A Portrait of America Review

From Sea to Shining Sea: A Portrait of America
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What a beautiful way to see America! This book has it all. From the fall colors of New England to the majestic mountains to the small towns in every state. Hiroji doesn't just focus on the scenery but includes the faces of America in his book. From a local town meeting to an air show to automobile workers. Whenever I show this book to my friends, they are so mesmorized by the photographs that I've had to loan it out a few times. And I love hearing their stories of places they've been when they see it in the book. They are most surprised when they see me in the book! I'm in photograph 16 teaching computers to kids at a computer camp. But don't let that influence your decision to purchase this book. It should be on every coffee table in every house or business!

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A visual celebration of the United States features the work of an acclaimed photographer, presenting shots of America's people, cultures, landscape, and more. 25,000 first printing. Excerpts, Life.

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Itchiku Tsujigahana Review

Itchiku Tsujigahana
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this is an wonderful book for all you love beautiful things..have seen the original book from the smithsonian exhibit years ago and saw the exhibit this time when it was in Ohio.to give you a perspective I live in Colorado
have been involved in texiles arts for 40 years and sold in the top shows in the country .if you are only interested in this because you like Asian things or because you love hand made this is truely a book to win you.....the work's are breathtakingly beautiful and the text explains the techniques......the man who did these was a prisoner of war and dedicated his life to discovery and the art,,,,,enjoy

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Digital Photography Boot Camp: A Step-by-Step Guide for Professionals Review

Digital Photography Boot Camp: A Step-by-Step Guide for Professionals
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Kevin Kubota was one of the first professional photographers to turn to digital photography. After being asked by other professionals about digital techniques he began Kubota Workshops (www.kubotaworkshops.com) and began teaching the Digital Photography Boot Camp where professional photographers would spend a week learning enough to make the transition to digital. This book is an on paper view of the workshop. It cannot, of course, replace the full week of hands on personally supervised workshop, but it can explain the overall concepts, it can provide a professional to professional view of the digital process and enable the professional photographer to take the expertise he already has to transition to digital.
The book covers all aspects digital photography, but for professionals. It doesn't go review all the cameras, it assumes that as a pro you'll have a digital SLR not a point and shoot. And of course the 'digital dark room' he uses is Photoshop. Again this is not a book on Photoshop, but it does show the pro what Photoshop can do to enhance your pictures.
By a pro, for a pro.

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Professionals can shoot freely, preview images, and not worry about the cost of film when they master the enhancement capabilities of the powerful digital imaging program Adobe Photoshop. This approach to navigating the digital camera universe details the technical and creative changes that digital cameras have brought to traditional film photography. How a digital camera's features must be set differently from a film camera's to ensure correct digital exposure, color rendition, and resolution for high-quality, well-balanced images is thoroughly discussed. From the camera to the desktop, photographers learn how to cultivate a seamless digital workflow that can be applied to a studio or lab of any size. The preview stage, with tips on workflow output with slides, Web galleries, proof sheets, and prints is emphasized, providing photographers with the image techniques that can make or break the sale. A cache of the author's self-assignments, personal anecdotes, and insights are included to help photographers analyze scenes, develop ideas, and put their artistic vision into action with their new set of digitally enhanced tools.

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Fighting Karate Gosoku Ryu Hard Fast Style (Unique literary books of the world) Review

Fighting Karate Gosoku Ryu Hard Fast Style (Unique literary books of the world)
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I had the privilege and honor to have been trained in Master Kubota's Kubotan system many years ago. It was truly an education in effective technique and pain. Though my own study has been primarily in Shotokan Karate, I still sought out other Japanese and Korean systems to learn as much as I could from other masters. This excellent text goes into detail on his Gosoku Ryu (Strong and Fast) karate system. He covers the basic stances, movement, kicks, punches, strikes, and kata in this volume. Because of Kobota's wide and varied back-ground he included techniques from other combat systems when developing Gosoku Ryu.
In conclusion, this is a fantastic basic guide, that when used in combination with actual hands-on training with a Gosoku Ryu instructor, will produce excellent results.
Rating: 5 Stars. Joseph J. Truncale (Author: Police Yawara Stick Techniques,Univ. Of Ill Press).

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Kubota: Shop Manual K-201 : Models L175 L210 L225 L225Dt L260 (I & T Shop Service Manuals) Review

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Itchiku Kubota: Kimono in the ''Tsujigahana'' Tradition: Exhibition Catalog Review

Itchiku Kubota: Kimono in the ''Tsujigahana'' Tradition: Exhibition Catalog
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I own four books about the art of Itchiku Kubota (deceased 2003), the Japanese master of the art of tsujigahana, one of the major thread-resist traditions of Japan. Kubota used stitch resist to create exhibition kimono of astonishing detail and luminosity. His primary subject matter was nature, in particular, the changing seasons. In the latter part of his career he devoted himself to creating landscapes on kimonos, which now reside in the museum he built for his work near Mt. Fuji. His work is breathtaking and astounding. The atelier he established is continuing to produce kimono, though they are not at the same level as the ones he made.
This is the least informative and attractive of the four books I own. The photographs are very dark and the information about Kubota's work and techniques is very sparse. If you are interested in contemporary tsujigahana, I recommend Kimono as Art: The Landscapes of Itchiku Kubota, a very large format hardcover costing only $1.50 more than the Frankel book, or Opulence: The Kimonos and Robes of Itchiku Kubota, which is out of print but available. These two are well worth the money if you are interested in fabrics produced with this technique.

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Catalog of an exhibition held in 1980. Frankel had the rare treat of attending Kubota's first one-man exhibition held in Mikimoto Hall in the Ginza, Tokyo. Frankel marveled at the beauty of his creations & decided it would be a privilege to introduce him & his work to the American public. Kubota answered Frankel's questions concerning the evolvement of his work & its significance within the historical context of ''Tsujigahana'' dyeing of fabrics for kimonos. Contents of this catalog: The Art of ''Itchiku Tsujigahana'' Dyeing, by Tetsuro Kitamura; ''Tsujigahana'' & Itchiku Kubota, by Tomoyuki Yamanobe; ''Itchiku Tsujigahana,'' by Itchiku Kubota; Catalogue; & Glossary. Black & white photos of Kubota and full-color photos of his kimonos.

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Japan Review

Japan
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Hiroji Kubota takes the reader on a wonderful visual feast of Japan. His photos cover all aspects of Japanese life, from the very ancient to the very modern. The captions for the photos are at the back with an accompanying black and white print of the photo.
A beautiful coffee table book.

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A photographic portrait of Japan today.
Modern Japan, the second largest economy in the world, is a land of contradictions. Home to some of the most sophisticated technology and manufacturing, it also has communities whose daily life has changed little in the last five hundred years. It is a land of great beauty, both in the landscape and in its celebrations, festivals, and traditional arts. After photographing China, Korea, and the United States, Hiroji Kubota spent three years traveling the length and breadth of Japan's many islands, capturing the magnificent diversity of his own country. From rice paddies to pachinko parlors, ancient temples to the Honda assembly plants, Kobota's lens has captured both the ordinary and the extraordinary. 185 full-color photographs

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